The third Bachman novel, Roadwork, is another portrait of a seethingly angry man acting out against his grievances with society. In Rage, the protagonist dealt with his anti-social angst by taking his classroom hostage and killing two teachers. In The Long Walk, the protagonist deals with it by joining a ghastly game show that runs people down to their deaths. Roadwork is a little less kinetic than either; the protagonist here, George Dawes, simply gives into inertia and refuses to progress along with everyone else. A highway extension is slated to destroy an old suburban neighbourhood and Dawes is in charge of finding both a new house to live and a new location for the industrial laundry he works for. In an act of rebellion against the inherent unfairness of the situation, he decides to do neither. He refuses to vacate his property, and ends up getting shot and killed in a stand-off with the police.
Now that we’ve established that there is a link between key scenes in the plot progress of a Stephen King novel and mapped sentiment peaks coded from the text, we can spend significantly less time on analyzing each peak to show this. This will allow us to go through books with a little less ponderous text.
The Long Walk (1979)
The Long Walk is another short Bachman novel about sexually frustrated young men. This time it’s about the contestants of a gruelling, cruel national sport instituted after America’s loss in the Second World War and the institution of military rule by “The Squads.” The backdrop is briefly described but evocative for that when it is mentioned. At any rate, the protagonist is one of 100 contestants who start the Long Walk. They have to keep walking at a certain speed or they are shot by soldiers who are driving around beside them. They get three warnings to get their speed back up, otherwise the guns ring out and down goes another contestant. It’s a pretty horrifying idea when it comes right down to it, if only for how weirdly plausible it is given the modern love of both spectacle and fascism. It’s also pretty psychologically taxing, especially once the weakest contestants die off and it becomes a game to walk your opponents into the ground.
Today we turn our attention to the first Richard Bachman book, Rage, a book that lives up to it’s name in as pure a fashion as you could imagine. If you haven’t found a copy of this yet, you might want to get on that: they aren’t making any more of them, at the behest of the author. As the events depicted in the book came into depressing vogue in the 21st Century, King feared that the portrayal of Charlie Decker would give aid and comfort to others in similarly desperate emotional situations.