When it comes to my least favourite King novels, Cujo is third. Why? It’s disjointed, for one; a lot of the book is taken up by the foibles of the Sharp Cereal Professor and honestly I can’t bring myself to care enough about the dying art of marketing kid’s cereals in the early 1980s. Also, the Trentons are not sympathetic characters. Look, I’ve written elsewhere about how your characters don’t necessarily need to be likable. I’ve gone off at length about how needing your characters to be the reader’s best friend is just a trap that encourages an immature fanbase that will rise up and kidnap you when you decide to kill those characters off…
Wait, actually, I think that was Misery.
The third Bachman novel, Roadwork, is another portrait of a seethingly angry man acting out against his grievances with society. In Rage, the protagonist dealt with his anti-social angst by taking his classroom hostage and killing two teachers. In The Long Walk, the protagonist deals with it by joining a ghastly game show that runs people down to their deaths. Roadwork is a little less kinetic than either; the protagonist here, George Dawes, simply gives into inertia and refuses to progress along with everyone else. A highway extension is slated to destroy an old suburban neighbourhood and Dawes is in charge of finding both a new house to live and a new location for the industrial laundry he works for. In an act of rebellion against the inherent unfairness of the situation, he decides to do neither. He refuses to vacate his property, and ends up getting shot and killed in a stand-off with the police.
Firestarter: another classic King tale of a troubled young girl who develops strange psychic powers and uses them to literally burn people alive. Charlie and her dad are chased by a mysterious U.S. alphabet agency bent on weaponizing the intersection of science and paranormal research. Half the book is the chase; the other half is the catch, and that combination makes for some interesting results, as we’ll see.