Because there aren’t any albums in this list I want to take the time to commit more than 300 words to.
City Sun Eater In The River Of Life
04/08/2016 on Woodsist Records
The veteran Brooklyn lo-fi folk group plays it safe on their latest album – entirely too safe. Everything here sounds like Woods, even when it’s trying hard not to.
Ben Harper & The Innocent Criminals
Call It What It Is
04/08/2016 on Fantasy Records
Ben Harper’s first album with his Innocent Criminals backing band since the first Obama election is a solid return to form, a slick and professional amalgam of his styles: funk, rock, soul, reggae, and old school R&B.
The Dandy Warhols
04/08/2016 on Dine Alone Records
The poster children for diminishing returns approach the singularity. Why even bother at this point?
04/08/2016 on Dualtone Records
The band doubles down on their folky Americana tracing, with a graver tone than the first time around. The best that can be said is that at least they didn’t just go full-on Coldplay like a certain other indie-folk band of saps.
Royce Da 5’9″
04/15/2016 on Bad Half Entertainment
The veteran Detroit rapper isn’t gunning for radio singles or memorable street bangers here. Instead, he leans on his top-notch lyrical skills to deliver a solid, message-driven album that also happens to feature some great hooks.
04/15/2016 on Because Records
The French psych-garage band combines a variety of European traditions – Italian giallo soundtracks, French ye-ye music, Spanish guitar melodies – with hard-hitting American psychedelic garage rock. Features New Order bassist Peter Hook in an obvious cameo on one track.
04/15/2016 on Suicide Squeeze Records
Like Drew Storen, The Coathangers are a once-reliable outfit that has lost its velocity and therefore it’s meaning by 2016. They try to develop some new tricks but, also like Storen, it remains to be seen whether they can pull that off in the long-run.
04/15/2016 on Dead Oceans Records
The former Woods bassist puts out a lush album of moves cribbed from the Bob Dylan playbook. Not exactly essential, but not a throwaway album either.
04/15/2016 on Secretly Canadian Records
A sort of lazy-eyed post-punk, like if Thom Yorke fronted an underground band. There’s nothing here that reinvents the wheel or even improves upon an aspect of their influences, but it passes the time well enough.
Surgical Meth Machine
Surgical Meth Machine
04/15/2016 on Nuclear Blast Records
After putting Ministry to bed with a trio of albums that all said the same thing (“George W Bush sucks”), Al Jourgenson returns in 2016 with a project that blends industrial oblivion with the blurred effect of speed metal. It doesn’t have the hard-hitting punch of his Ministry days but it’s funnier than anything he’s done in years, and the latter half of the album has more hooks than a bait shop.
Love Letter For Fire
04/15/2016 on Sub Pop Records
The Iron & Wine frontman teams up with Jesca Hoop to put together an album of rich country-tinged folk ballads that I can’t remember a blessed thing about as soon as they’re over.
04/15/2016 on Livity Sound Recordings
When it comes to electronic music meant to get you moving, Utility is competent. That’s not really a compliment but it’s not altogether denigrating either. You could do worse.
04/22/2016 on Susannasonata Records
An effective blend of the baroque majesty of Joanna Newsom and the cutting-edge mystique of St. Vincent. It would be a much better album if it wasn’t so overly long.
Asphalt For Eden
04/22/2016 on Profound Lore Records
Dense, thick, and lo-fi, the hip-hop group’s first album in six years (with new members) hits all of the right notes from their previous, critically acclaimed efforts. Noisy without being willfully so, and brief without being truncated.