Extended Roundup (More April Stuff)

Standard

Because there aren’t any albums in this list I want to take the time to commit more than 300 words to.

Woods

City Sun Eater In The River Of Life

04/08/2016 on Woodsist Records

The veteran Brooklyn lo-fi folk group plays it safe on their latest album – entirely too safe.  Everything here sounds like Woods, even when it’s trying hard not to.

Ben Harper & The Innocent Criminals

Call It What It Is

04/08/2016 on Fantasy Records

Ben Harper’s first album with his Innocent Criminals backing band since the first Obama election is a solid return to form, a slick and professional amalgam of his styles:  funk, rock, soul, reggae, and old school R&B.

The Dandy Warhols

Distortland

04/08/2016 on Dine Alone Records

The poster children for diminishing returns approach the singularity.  Why even bother at this point?

The Lumineers

Cleopatra

04/08/2016 on Dualtone Records

The band doubles down on their folky Americana tracing, with a graver tone than the first time around.  The best that can be said is that at least they didn’t just go full-on Coldplay like a certain other indie-folk band of saps.

Royce Da 5’9″

Layers

04/15/2016 on Bad Half Entertainment

The veteran Detroit rapper isn’t gunning for radio singles or memorable street bangers here.  Instead, he leans on his top-notch lyrical skills to deliver a solid, message-driven album that also happens to feature some great hooks.

The Liminanas

Malamore

04/15/2016 on Because Records

The French psych-garage band combines a variety of European traditions – Italian giallo soundtracks, French ye-ye music, Spanish guitar melodies – with hard-hitting American psychedelic garage rock.  Features New Order bassist Peter Hook in an obvious cameo on one track.

The Coathangers

Nosebleed Weekend

04/15/2016 on Suicide Squeeze Records

Like Drew Storen, The Coathangers are a once-reliable outfit that has lost its velocity and therefore it’s meaning by 2016.  They try to develop some new tricks but, also like Storen, it remains to be seen whether they can pull that off in the long-run.

Kevin Morby

Singing Saw

04/15/2016 on Dead Oceans Records

The former Woods bassist puts out a lush album of moves cribbed from the Bob Dylan playbook.  Not exactly essential, but not a throwaway album either.

Suuns

Hold/Still

04/15/2016 on Secretly Canadian Records

A sort of lazy-eyed post-punk, like if Thom Yorke fronted an underground band.  There’s nothing here that reinvents the wheel or even improves upon an aspect of their influences, but it passes the time well enough.

Surgical Meth Machine

Surgical Meth Machine

04/15/2016 on Nuclear Blast Records

After putting Ministry to bed with a trio of albums that all said the same thing (“George W Bush sucks”), Al Jourgenson returns in 2016 with a project that blends industrial oblivion with the blurred effect of speed metal.  It doesn’t have the hard-hitting punch of his Ministry days but it’s funnier than anything he’s done in years, and the latter half of the album has more hooks than a bait shop.

Sam Beam

Love Letter For Fire

04/15/2016 on Sub Pop Records

The Iron & Wine frontman teams up with Jesca Hoop to put together an album of rich country-tinged folk ballads that I can’t remember a blessed thing about as soon as they’re over.

Kowton

Utility

04/15/2016 on Livity Sound Recordings

When it comes to electronic music meant to get you moving, Utility is competent.  That’s not really a compliment but it’s not altogether denigrating either.  You could do worse.

Susanna

Triangle

04/22/2016 on Susannasonata Records

An effective blend of the baroque majesty of Joanna Newsom and the cutting-edge mystique of St. Vincent.  It would be a much better album if it wasn’t so overly long.

Dalek

Asphalt For Eden

04/22/2016 on Profound Lore Records

Dense, thick, and lo-fi, the hip-hop group’s first album in six years (with new members) hits all of the right notes from their previous, critically acclaimed efforts.  Noisy without being willfully so, and brief without being truncated.

 

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