Stream Verin Mathwin

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One – Verin Mathwin

Check it – I’ve finally settled on a specific project to work on long-term and it’s called Verin Mathwin, after the WoL character (for reasons, no spoilers). It’s equal parts industrial, glitch, drum n bass, and synthwave, so if any of that appeals to you feel free to start streaming the album embedded above. Get hype.

we didn’t mean to burn the forest down

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More Verin Mathwin

at the jetty we can see the wind
blowing out to stir the sailboat’s cloth
nothing lives outside the stress-torn sand
we live on, shoulder to shoulder at the
end of a roiling eternity
we didn’t mean to set the forest on fire
the great deserts in the center of it all
stand mute proof to the foolishness of
apologies and apologia and all apologism

The Best Albums of 2019, #20-01

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#20: (Sandy) Alex G – House Of Sugar

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Irrepressible, off-the-wall, and more than a little absurd, indie musician (Sandy) Alex G has made a career out of two things since dropping his debut in 2014: being as prolific as Ty Segall and being even more willing to play whatever the hell has come into his head in the last five minutes. House of Sugar marks his first album not put together in his bedroom but it keeps the manic, playlist-on-shuffle feel of his previous music. There’s just MORE of it – more instruments, more voices, more ideas.

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50 Days of Soundcloud #15

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“Empire’s Comin’ Now We Gonna Get Blessed”

Another entry in my series of “songs that use synths to make something approaching heavy rock and/or punk”. Noisy, ravey, and I really like the coda.

The death of Soundcloud made The Pitch a few days ago!  Also of note from that article:  the phrase “broken embeds, dead links, and lost sounds” sounds like a stellar name for an album that I’m totally going to do now.

As always,

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50 Days Of Soundcloud #12

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“Formula Modernia”

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Feel free to check out some books:  today’s featured titles include Disappearance, only 99 cents, which if you enjoy the action bits in books and you like apocalypse fiction you’ll enjoy; What You See Is What You Get, which manages to combine the specter of ag-gag laws with criminal trials that look more like reality TV than anything else; and 9th Street Blues, about a kid delivering cobbled-together drugs in the near future ruins of Woodward, OK (and is also the jumping-off point for my new serial novel, coming soon from ATM Publishing).