GOLD: 50 Years of Lumpy Gravy

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Frank Zappa – Lumpy Gravy

Released August 7th, 1967 on Capitol Records

The front cover of Lumpy Gravy states that it’s a “curiously inconsistent piece which started out to be a ballet but probably didn’t make it.”  The back cover asks “is this phase 2 of We’re Only In It For The Money?”, a bizarre question given that said album didn’t come out until 1968.  It was, in fact, an orchestral piece commissioned by Capitol Records’ Nick Venet; to get around his contract with MGM and Verve, Zappa positioned himself as merely the conductor of the orchestra he cobbled together for the recording.  This cutesy bit of manouvering didn’t stop MGM from threatening to sue, but as subsequent history would show, label heads going after Zappa would prove to be an exercise in futility.  In fact, while waiting for MGM to come to that conclusion, Zappa plowed ahead on a project he called No Commercial Potential (which would make a great name for a retrospective of his career) that would eventually give birth to four albums: We’re Only In It For The Money, a reedited second edition of Lumpy GravyCruising With Ruben And The Jets, and the gloriously bizarre “soundtrack” album Uncle Meat.  The second edition of Lumpy Gravy would be released in 1968 by Verve Records; it would contain pieces of the original orchestral recordings as well as dialogue that was recorded near the studio’s grand piano, which would vibrate with resonance whenever someone spoke near it.  The result is willfully bizarre musique concrete, the sort of thing you can only fully enjoy if you’ve completely disconnected yourself from society and human contact, as shown in the following chart:

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As you can see, Lumpy Gravy falls somewhere close to the bottom level, where light no longer actually shines and the sounds of pan-dimensional click-beats can be heard from the wall.  Patrician approved.

It’s worth noting that many of the performers Zappa gathered together for the original recordings thought at first that he was a total chump, just a guitarist from a joke rock band with no real experience composing.  By the end, he won all of them over to his peculiarly cracked genius.