New Music Round-Up, June 11th-June 17th


King Gizzard and the Lizard Wizard – Butterfly 3000


Released June 11th, 2021

Another Gizzard left turn, this one into buzzing, vaguely-Asian inspired major key pop music that sounds like (and probably is) the result of discovering a new instrument and blending it in over and over until it just becomes part of the gonzo-prog group’s overall sound. It’s an out-there album in a discography chock-full of out-there albums, but the excited discovery of a new musical voice leads to said voice being shoehorned in everywhere and as such a lot of the tracks tend to run together.

Dean Blunt – BLACK METAL 2


Released June 11th, 2021 on Rough Trade

OK, two things. First, we can all see that the album art is just an edit of Dre’s 2001 right? Second, this is a decent collection of rough-cut sour-faced folk/dream-pop hybrid music, but it doesn’t live up to either the first Black Metal record or to Blunt’s own clear peak, 2013’s The Redeemer. Still worth listening to, though.

Sleater-Kinney – Path Of Wellness


Released June 11th, 2021 on Mom+Pop

Once upon a time Sleater-Kinney were one of the greatest (maybe the greatest) bands in rock ‘n’ roll – a power trio capable of slash-and-burn howling theatrics at the same time as they brought barbed hooks and, at key moments, a softer sensibility that sacrificed none of their raw power. When they came back in 2013 after a long hiatus they had that same power and confidence. What happened? It’s easy enough to blame Annie Clark or the departure of drummer Janet Weiss, but really I think the key problem here is age and complacency. Once upon a time they sounded as though they wanted to set the world on fire, and now they sound like they need to wrap the gig up by 9 because if they don’t get enough sleep they’ll be hurting the next day. I even tried turning it up, thinking that maybe it just sounded muted because of my headphones. Nope, it’s a general lack of confidence, passion, and those knotted, gnarled hooks that Carrie Brownstein used to toss off with abandon.

Garbage – No Gods No Masters


Released June 11th, 2021 on Infectious Records

Shirley Manson, Butch Vig, and Co. feel alive and seething for the first time since 1998’s Version 2.0, which is honestly nice to hear. The slow creep of eerie electronic noisemaking into pop (and, let’s be serious, the creep of disturbing imagery and damage into pop music now) brings Garbage full circle. Once upon a time they seemed like stodgy also-rans from the alternative era; now they sound fresh again. Funny how that works.

Cold Cave – Fate In Seven Lessons


Released June 11th, 2021 on Heartworm Records

Cold Cave is a synth-only dollar store version of The Cure and Depeche Mode. Plus the album cover is a dead ringer for New Order’s Power, Corruption and Lies. If you are reading this in a future Black Mirror dystopia where you have been blocked from listening to Seventeen Seconds then I guess you could take some stoic comfort in Fate In Seven Lessons, but aside from that unlikely scenario this is a skip.

Islands – Islomania


Released June 11th, 2021 on Royal Mountain

Slinky and always moving, L.A.’s Islands present a fun take on indie rock punctuated here and there with light sax work. It’s nothing new, but it’s done so well you might not notice.

Handsomeboy Technique – Technique


Released June 11th, 2021 on Second Royal

Plunderphonics af, so if your heart is hurting and you need something like old Avalanches but more life-affirming, dinner is served.

Quivers – Golden Doubt


Released June 11th, 2021 on Ba Da Bing

The R.E.M. influence is no surprise – one of their more recent releases is a full-album cover of Out Of Time, after all – but they amalgamate it in such a way that their own songwriting style comes through regardless.

Joana Serrat – Hardcore From The Heart


Released June 11th, 2021 on Loose Records

Eighties-tinged heartland rock that sounds pretty while managing to be completely unsurprising.

Jim Ward – Daggers


Released June 11th, 2021 on Dine Alone Records

Damn, Dine Alone. That takes me back to a time when the label wasn’t based out of two major cities and instead was operating out of downtown St. Catharines, Ontario. The S.C.E.N.E. was hot in those days – alexisonfire, you know – and…well, anyway, nostalgia was once classified as a mental illness. Jim Ward, we’re talking about Jim Ward – formerly of Sparta and At The Drive-In. Daggers is surprisingly straightforward – big power pop/rock songs from a guy whose voice is weirdly reminiscent of Bono minus the pretentious arena-reaching effect.

Danny Elfman – Big Mess


Released June 11th, 2021 on ANTI-

Big – willfully big, purposely noisy – and pretty messy, as the name implies. Still a lot of fun for the most part, minus Elfman’s rather colourless vocals. Borders on industrial at times, settles into a sort of sub-These New Puritans level at its worst.

Mammoth WVH – Mammoth WVH


Released June 11th, 2021 on Ex1

Here we have an example of a cross between two of the most cringe-inducing genres of album: the “son of a famous musician” album and the “unrepentant meat-and-potatoes hard rock to satisfy Boomers and Boomer-adjacents” album. There is little to be said about the former; Wolfgang Van Halen was constantly hyped up by his guitar hero father but doesn’t really seem to show any flair for anything more than generic short noodling here. As for the latter, it could be worse. It could be Greta Van Fleet.

Red Ribbon – Planet X


Released June 11th, 2021 on Danger Collective

This album would likely have been ho-hum forgettable were it not for the production and mentorship offered by doom metal producer Randall Dunn, who did the boards for Sunn O))) among others. It’s pretty basic indie rock, but there’s something a little creepier about it than normal.

White Flowers – Day By Day


Released June 11th, 2021 on Tough Love Records

Shaded, relentless dream pop – in other words, a re-write of Depression Cherry.

Scientists – Negativity


Released June 11th, 2021 on In the Red Records

Well, the elderly can still noise-rock with the best of them, even if they are slowing a step in their age.

Alessandro Cortini – Scuro Chiaro


Released June 11th, 2021 on Mute Records

Atmospheric, chilly progtronica that has a dark but melodic undercurrent.

Migos – Culture III


Released June 11th, 2021 on Quality Control

They still have that street-smooth flow and some impressive guests but the beats are generic af. If you’re making Migos money surely you can afford a better class of production.

Pi’erre Bourne – The Life Of Pi’erre 5


Released June 11th, 2021 on Interscope Records

I’ll admit that I don’t know who really started that sing-song trap flow that’s been all over hip hop since time out of mind. The first time I consciously heard/enjoyed it was Future’s Honest back in 2014. Does it stem further back from Chicago drill? I don’t remember. Usually it takes a bit to impress me when it gets used – too many Lil’ rappers with bonehead lyrics doing the same thing over the same beats. Pi’erre avoids this in two ways: by having a half-decent sense of wordplay in his smirky flow, and by being a good producer in his own right. Big 808s and warbling little seasick synths is exactly my aesthetic.

Polo G – Hall Of Fame


Released June 11th, 2021 on Columbia Records

The Chicago rapper makes a case for the evolution of his style and career but falls short in terms of actually progressing.

Larry June – Orange Print


Released June 11th, 2021 on Empire Records

There are several parts of this record where he just straight up nicks style from early 90s West Coast rappers – Easy E mostly, but others as well. Great production, though.

Emotional Oranges – The Juicebox


Released June 11th, 2021 on Avant Garden Records

Solid, funky R&B in a group setting – always a favourite around here – and studded with some pretty good guest spots including Vince Staples.

Skyzoo – All The Brilliant Things


Released June 11th, 2021 on Mello Music Group

New York City rap studded with references to New York City rap. Solid beatcraft and dense, intriguing wordplay.

AFI – Bodies


Released June 11th, 2021 on Rise Records

Look, once upon a time AFI was a constant presence in the soundtrack of my life. “God Called In Sick Today” was an anthem for the year when I was more or less living in sin in a punk house in rural Ontario. This ain’t that, though, and beyond the need for bands to continuously prove that they’re still capable of putting out new music I don’t know what the purpose of this is.

Crypta – Echoes Of The Soul


Released June 11th, 2021 on Napalm Records

Traditional old-school death metal with some minor thrash tendencies. Played loud, played fast, played hard.

Eremit – Bearer Of Many Names


Released June 11th, 2021 on Transcending Obscurity Records

There is sludge metal. There is doom metal. And then there is Eremit. Easily the heaviest shit I have heard all year. Oozes, like mostly frozen syrup. The vocalist can howl like black metal wolves AND do the deep guttural growl a la Corpsegrinder, within the scope of the same half-hour suite. Like drowning through your ears.


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